The RISE IMET International Conference will be held in Nicosia, Cyprus, on June 3-5th 2020.
The conference is dedicated to the exploration of current practices in the use of emerging and interactive technologies such as augmented, mixed or virtual reality, holographic models, 3D models, artificial intelligence, sensors and gamification in museums and heritage sites. The aim of this conference is to promote critical and interdisciplinary approaches and conversations between participants from diverse fields and to encourage interdisciplinary dialogue between academics and professionals from various backgrounds on digital advances, innovation and their impact on the field of cultural heritage. Thus, we encourage the submission of abstracts from academics and professionals from the fields of museum studies, cultural heritage, computer science, heritage management, artificial intelligence, visual arts and cognitive science amongst others.
Submission Deadline: Monday 3rd November 2019, 17.00 GMT
Museological Review is a peer-reviewed journal published annually by the community of PhD students of the School of Museum Studies at the University of Leicester, UK. It is a forum for the exchange of museological ideas and the development of academic skills.
Museological Review’s issue 24 will consider what a museum is now, particularly how museums play a role in society through exhibitions, programming and projects which respond to current affairs.
The theme for this issue was sparked by the debate around the new museum definition proposed by the International Council of Museums (ICOM) and discussed during their annual conference in Kyoto, Japan in September. The proposed new definition includes terminology that highlights the role of museums in reflecting and interacting with society. The ICOM’s Extraordinary General Assembly decided, however, to postpone the vote on a new museum definition so the discussions and conversation about what a museum is can continue. The new definition that was debated is as follows:
“Museums are democratising, inclusive and polyphonic spaces for critical dialogue about the pasts and the futures. Acknowledging and addressing the conflicts and challenges of the present, they hold artefacts and specimens in trust for society, safeguard diverse memories for future generations and guarantee equal rights and equal access to heritage for all people.
Museums are not for profit. They are participatory and transparent, and work in active partnership with and for diverse communities to collect, preserve, research, interpret, exhibit, and enhance understandings of the world, aiming to contribute to human dignity and social justice, global equality and planetary wellbeing.”
With this context in mind, Museological Review invites authors to submit abstracts for Issue 24, which will reflect on and respond to how museums and art galleries are adding to current conversations through their exhibitions, programmes and projects and how this challenges the definition of a museum and its relation to the public. Should museums participate and be involved in the debate around social justice, global equality and wellbeing, as the new definition proposes?
In this regard, Museological Review is interested in submissions which consider how museums and art galleries are responding to and communicating themes including but not limited to the following:
Community-based programmes and projects
Crisis of democracy
Future of Europe after Brexit
Global warming and climate change
Human dignity and wellbeing
Museums in time of austerity
Technology and big data
Submissions are invited in the form of academic articles, exhibition/book reviews and visual contributions from graduated students (MA and PhD), current PhD candidates, early-career researchers and museum practitioners. In light of the debate of the new definition of what is a museum, Issue 24 will contribute to the discussion by including a section where researchers and museum practitioners submit their own definition (no more than 300 words) of what they believe a museum is.
The deadline for submissions and abstracts/proposals is Monday 3rd November 2019, 17.00 GMT. Submissions and enquiries should be emailed to: museologicalreview @[at]leicester.ac.uk
Museological Review is accepting the following submissions:
Academic Articles (maximum 5,000 words)
Exhibition or Book Reviews (maximum 1,000 words)
We encourage creative and alternative formats including exhibition or book reviews. Abstract submission requirements are the same as indicated below.
We welcome visual submissions comprising a single image which depicts the theme of “what a museum is”. The image can be manipulated and edited. A title and a short caption of 150 words or less should enhance the message, but the image must be able to communicate on its merit. Visual submissions must be original work. Any identifiable persons depicted must agree to allow their image to be published. Please submit your image as a .jpeg or .tif file to a resolution of 600 dpi and 3508×2480 pixels. Please submit your caption in a Microsoft Word document.
Definition of what you feel a museum is
Within the context of the proposed new definition by the ICOM, we invite authors to submit their own views of what a museum is. (Maximum 300 words). Please do send your full name, postal address, professional qualifications and position held along with this submission.
For all submissions we require the following information sent to us via email:
Title of your proposed submission(s)
Full name of the author
3-5 keywords which best represent your submission(s)
Full postal address, professional qualifications, position(s) held
Any social media handles, if you would like to be tagged in our posts (Twitter, Facebook, Instagram)
The authors of selected abstracts/exhibition or book reviews/visual submissions will be contacted in late-November 2019. The deadline for the submission of the full academic articles (maximum 5,000 words) is mid-January 2020. The editorial process (peer-review and editing) of accepted submissions will take place from January to April 2020. Final publication decisions will be made after the peer review and editing process. The issue will be available from the Museological Review webpage by June 2020.
A digital copy of the typescript is required in Microsoft Word format
All submissions must be in English. British English spelling is preferred.
Times New Roman font size 12
A4 format (21 cm x 29.7 cm)
Double line spacing
Normal margins (2.54 cm on all sides)
Note: It is NOT POSSIBLE for the editorial team to undertake or arrange for independent proofreading and the obligation for thorough checking is the responsibility of the authors. The publication cannot be assured until final revisions are accepted.
Illustrations/Figures/Tables Written papers can be accompanied by black and white or colour photographs, line drawings, maps, tables or any other visual element. All illustrations and figures should be numbered consecutively in the order in which they are referred to in the text. Please note that they must be fully captioned and supplied separate from the manuscript document, NOT included in a Word document, as .jpeg, .tif or .bmp files (NOT eps). Referencing/Bibliography References must be presented using the Harvard system (author and date given in the text, e.g. Connerton, 1989; Cook, 1991: 533). The bibliography should be at the end of the paper, arranged alphabetically by author, then chronologically if there is more than one work by the same author. Use the inverted format as follows: Connerton, P. (1989). How Societies Remember. Cambridge, Cambridge University Press. Cook, B.F. (1991). ‘The archaeologist and the Art Market: Policies and Practice.’ Antiquity 65: 533.
Copyright It is the author’s responsibility to obtain copyright approval for non-original materials included in submissions. If the author wishes to include any material in which they do not hold the copyright, written permission from the copyright owner must be obtained before submission. This applies to direct reproduction as well as ‘derivative reproduction’, where a new table or figure has been created which derives substantially from a copyrighted source. The author must provide appropriate acknowledgement of the permission granted to them for reuse by the copyright holder in each caption or figure. The author is solely responsible for any fees which the copyright holder may charge for reuse.
Acknowledgement of Funding Sources Source of funding for the research reported in the submission should be acknowledged at its end. All authors should disclose in their submission any financial or other substantive conflicts of interest that might be construed to influence the results or interpretation of the submission.
Submissions Submission is free.
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Om Dansk Center for Museumsforskning
Dansk Center for Museumsforskning er et center uden mure for danske universiteter og højere læreanstalter. Det består af centrale institutter, som bedriver museumsforskning.
Museumsforskning forstås bredt som et forskningsfelt, der omfatter museer, arkiver samt aktivitetscentre inden for eksempelvis naturvidenskab og teknik. Feltet omfatter således forskning i kunst, kultur- og naturarv samt i formidling af denne arv i forhold til fysiske og virtuelle rum.